Born 1967, Burbank, California
Lives and works in Los Angeles, California

 

EDUCATION
1995
University of California, Los Angeles; MFA

1992
University of California, Los Angeles; BA

 

SOLO EXHIBITIONS
2015
The News Threw Her, Richard Telles Fine Art, Los Angeles

2011
Marc Jancou Contemporary, New York

2010
Pomona College Museum of Art, Claremont, CA (cat.)
More is Less and Less, Richard Telles Fine Art, Los Angeles

2007
Richard Telles Fine Art, Los Angeles

2005
Richard Telles Fine Art, Los Angeles
Nicole Klagsbrun, New York

2004
Galerie Claudio Guenzani, Milan, Italy

2001
Richard Telles Fine Art, Los Angeles

1997
Richard Telles Fine Art, Los Angeles

1995
Richard Telles Fine Art, Los Angeles

 

GROUP EXHIBITIONS
2016
Art from Los Angeles: 1990-2010, Studio Guenzani, Milan, Italy
An Irruption of the Rainbow: Color in 20th-Century Art, Los Angeles County Museum of Art, Los Angeles
The Campaign for Art: Drawings, Part II, San Francisco Museum of Modern Art, San Francisco

2011
Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles
Ginny Bishton, Ingrid Calame, and Scott Short, Christopher Grimes Gallery, Los Angeles

2009
CUT: The Makings of Removal, Wignall Museum at Chaffey College, Rancho Cucamonga, CA
Compass in Hand: Selections from The Judith Rothschild Foundation Contempora ry Drawings Collection, Museum of Modern Art, New York (cat.)
Round Up, Richard Telles Fine Art, Los Angeles
The Long Range: Phase 2, ltd., Los Angeles, curated by Jan Tumlir with Shirley Morales

2008
CUT: The Makings of Removal, Vincent Price Art Museum, East Los Angeles College, Los Angeles

2007
Hammer Contemporary Collection, Part I, Armand Hammer Museum of Art and Culture, Los Angeles, Permanent Collection exhibition
Eden’s Edge: Fifteen LA Artists,  Armand Hammer Museum of Art and Culture , Los Angeles (cat.)
Live/Work: Performance into Drawing,  Museum of Modern Art, New York

2006
Group Exhibition, Richard Telles Fine Art, Los Angeles

2005
Ginny Bishton, Lecia Dole-Recio, Taft Green, Richard Telles Fine Art, Los Angeles

2004
Art on Paper, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC (catalogue)

2002
crisp, Marianne Boesky Gallery, New York

2001
The Approximative, Galerie Ghislaine Hussenot, Paris, France, Curated by Meghan Dailey and Alison Gingeras, (catalogue)
Patterns: Between Object and Arabesque, Kunsthalle Brandts, Klaedefabrik, Odense, Denmark (catalogue)

2000
Opere Su Carta, Studio Guenzani, Milan, Italy

1999
Hubcap Diamond Star Halo, Claremont Graduate University, Claremont, California

1998
The Ideal Made Physical, Art Gallery, California State University, Fullerton, California; exhibition essay by Linda Centell and Mike McGee (brochure)
In the Polka Dot Kitchen, Armory Center for the Arts, Otis College Gallery, Pasedena & Los Angeles (catalogue)

1997
New Work: Drawing Today, San Francisco Museum of Modern Art, San Francisco

1996
Art on Paper, Weatherspoon Art Museum, The University of North Carolina, Greensboro, NC
The Power of Suggestion: Narrative & Notation in Contemporary Drawing, Museum of Contemporary Art, Los Angeles; Curated by Constance Butler, (catalogue)
Selections Fall 96, The Drawing Center, New York
Ginny Bishton, Richard Hawkins, Pae White, Richard Telles Fine Art, Los Angeles
NowHere, Louisiana Museum of Modern Art, Humlebaek, Denmark

1995
Dan Bernier Gallery, Santa Monica, California

1994
Sparkalepsy, Feature, New York

 

BIBLIOGRAPHY
2015
Mizota, Sharon, “Review: Ginny Bishton at Richard Telles: Short stories rewritten, on the wall”
The Los Angeles Times, May 3

2010
Holte, Michael, Ned, “Ginny Bishton, Richard Telles Fine Art”, Artforum, April, p. 203.
Harvey, Doug, “The Bish, The Fish, and The Fantastic Four’, LA Weekly, January 22-28, 2010, p.34.
Knight, Christopher, “Around the Galleries: Turning logic on its ear”, The Los Angeles Times, January 22, 2010, p.D19.

2007
Wulffson, Jennifer, “A Cautionary Tale,” X-tra, Winter 2007, p. 38 – 42.
Satorius, Katherine. “Eden’s Edge,” ArtUS, Winter 2007, p. 26, 27.
Harvey, Doug. “Condensed Cream of Conceptualism,” LA Weekly, April 20-26, 2007, p. 58.
Garrels, Gary. “Eden’s Edge: Fifteen LA Artists,” Hammer Museum, Exhibition Catalogue.

2006
Taft, Catherine, Critic’s Picks, Artforum.com, October 3-14.

2005
Reena, Jana. “A Sum of Parts,” Art on Paper, September/October 2005, page 30.
Harvey, Doug. “State of the Art ’05,” LA Weekly, October 28-November 3, page 20.
Knight, Christopher. “So familiar, yet disorienting,” Review. Los Angeles Times, March 4, pp. E24-E25

2004
Louis Comfort Tiffany Foundation, “2003 Awards in Painting Sculpture, Printmaking, Photography, Video and Craft Media.” The Louis Comfort Tiffany Foundation c/o Artists Space, pp 8-9.

2002
Barilli, Renato. “Officina America,” Galeria d’Arte Moderna, Bologne, Catalogue

2001
Burkard, Lene and Ohrt, Karsten. “Patterns: Between Object and Arabesque,” Kunst Hallen Brandts Klaedefabrik, Odense,
Denmark.
Dailey, Meghan and Gingeras, Alison M. “The Approximative,” Galerie Ghislaine Hussenot, Paris. Catalogue.

2000
Harvey, Doug, Review, LA Weekly, May 5 – 11, page 49.
Pagel, David, Review, Los Angeles Times, May 5, page F24.
Sheets, Hilary M., “The Oranges Are Alive,” Artnews, May, page 120.

1998
Iannacone, Carmine, Review, Frieze, Jan.-Feb., pages 78-79.

1997
Greenwald, LouAnne, Review, (“The Power of Suggestion: Narrative & Notation in Contemporary Drawing,”Zingmagazine, pages 289-90.
Hainley, Bruce, Review, Artforum, page123.
Hainley, Bruce, “The Power of Suggestion,” Artforum, February, page 83.
Ho, Melissa, Review, Art Issues, page 38. (cover)
Humphrey, Jacqueline, “32 Art on Paper Is Spare, Compelling,” Greensboro Press, Greensboro, NC, November 21, page 5.
Iannacone, Carmine, “Drawing Room,” L.A. Weekly, January 10-16, page 46.
Pagel, David, Review, Los Angeles Times, Sept. 15, page F5.

1996
Kandel, Susan, Review, Los Angeles Times, May 28, page F2.
Knight, Christopher, “Drawing the Conventional Conceptualist’s Conclusions,” Los Angeles Times, November 12, page F3.
Meyers, Terry, Review, Blocknotes, No. 13, September-October, page 90.

1995
Kandel, Susan, “Canvassing A Year of Brilliance,” Los Angeles Times, December 31, page 62.
Kandel, Susan, Review, Los Angeles Times, October 19, page F8.
Kandel, Susan, Review, Los Angeles Times, July 7, page F11.

 

GRANTS
2003
Louis Comfort Tiffany Foundation Award

1999
Anonymous Was A Woman