Born 1949 Worchester, England
Lives and Works in London, UK


Slade School of Art, London


The Projectionist, The Approach, London
John Stezaker: Collages, Nederlands Fotomuseum, Rotterdam
Film Works, De La Warr Pavilion, Bexhill on Sea, East Sussex, England
Independent Régence, Brussels, Belgium

New Silkscreens / Blind, Friedrich Petzel, New York
John Stezaker: Collages, Anna Schwartz Gallery, Sydney, Australia

Blind, The Approach, London

Mildred Lane Kemper Art Museum, St. Louis

Whitechapel Gallaery, London, January 29 – March 18; traveling to
MUDAM, Luxembourg, and Kemper Art Museum, St. Louis
Friedrich Petzel Gallery, New York

Tabula Rasa, The Approach, London
John Stezaker: Silkscreens, Capitain Petzel, Berlin, Germany
Lost Images, Kunstverein Freiburg, Germany

Richard Grey Gallery, Chicago
Galerie Gisela Capitain, Cologne
Friedrich Petzel, New York

Masks & Shadows, A Palazzo Gallery, Brescia, Italy (cat.)
Galerie Dennis Kimmerich, Düsseldorf
Fumetti, GAK- Gesellschaft für Aktuelle Kunst Bremen, Germany (cat.)

Two Part Show: Marriages, Karsten Schubert (Sept-Nov), London; Masks, The Approach, London (Oct-Nov) (cat.)
The Rubell Family Collection, Miami (cat.)
Stills Gallery, Edinburgh, Scotland
Open Eye Gallery, Liverpool
Project Room, Yvon Lambert, Paris

The Approach, London
Galerie Dennis Kimmerich, Düsseldorf
Richard Telles Fine Art, Los Angeles
Bridges and Other Metaphors, Norwich Gallery, Norwich, UK
John Stezaker, White Columns, New York

Archives and Narration: John Stezaker and T.J. Wilcox, Kunstverein Muenchen, Munich

The Third Person Archive and Other Works, The Approach, London

The Holy Land Series, Wigmore Fine Art, London

Angels, Portfolio Gallery, Edinburgh, Scotland

Garden, Cubitt Gallery, London

Care & Control, Salama-Caro Gallery, London

Film Still Collages, Friedman-Guinness Gallery, Frankfurt

John Stezaker: New Work, Salama-Caro Gallery, London (cat.)
Glenn Dash Gallery, Los Angeles

Lisson Gallery, London

Galerie Eric Fabre, Paris
Werke 1973-1978, Kunstmuseum Lucerne, CH (cat.)
Ikon Gallery, Birmingham, UK
The World Made Flesh, The New ’57 Gallery, Edinburgh, Scotland (cat.)

Fragments, Photographer’s Gallery, London (cat.)
Collages: 1977-1978, Ikon Gallery, Birmingham, UK (cat.)
Southampton City Museum, Southampton, UK

Dream Allegories. John Stezaker Collages 1976-1977. Nigel Greenwood Gallery, London (cat.)
Galerie Eric Fabre, Paris
Schema Gallery, Florence, Italy
Spectro Arts, Newcastle, UK

Nigel Greenwood Gallery, London
Trois Oeuvres (Three Works), Galerie Eric Fabre, Paris (cat.)

Nigel Greenwood Gallery, London
Galerie Eric Fabre, Paris

Galerie Decembre, Munster, German
Galleria Lia Rumma, Rome, Italy
Galleria Lia Rumma, Naples, Italy

The Museum of Modern Art Oxford, Oxford, UK

Beyond Art for Art’s Sake: A Propus Mundus, Nigel Greenwood Gallery, London (cat.)

Works, 1969-1971, Sigi Krauss Gallery, London (cat.)


Picasso in Contemporary Art, curated by Dirk Luckow, Deichtorhallen Hamburg,
Hamburg, Germany (traveled as After Picasso: 80 Contemporary Artists, Wexner Center
for the Arts, Columbus, OH)
An Unfixed Image: The Photographic Across Media, The College of New Jersey Art
Gallery, Trenton

MIRRORCITY: 23 London artists, Hayward Gallery, London
As Exciting As We Can Make It: IKON in the 1980s, IKON Gallery, Birmingham, UK
Ruin Lust, Tate Britain, London
…all silent but for the buzzing… , Curated by Curating Contemporary Art MA programme, Royal College of Art Galleries, London
19th Biennale of Sydney: You imagine what you desire, Sydney, Australia

The Age of Collage, gestalten space, Berlin, Germany
The Edge of Painting, curated by Tess Jaray, The Piper Gallery, London
Works on Paper, 
i8 Gallery, Reykjavik, Iceland
Orpheus Twice
, curated by Vincent Honore, David Roberts Art Foundation, London
L’image Papillon
, Musee d’Art Moderne Grand-Duc Jean, Luxembourg
Frank Egloff & John Stezaker: Visible Merge
, Barbara Krakpw Gallery, Boston
Crystal Maze IV- 1+ 2+ £ = 3
, as part of Nouveau Festival, The Centre Pompidou, Paris, France
Only parts of us will ever touch each other
, Galerie Thaddaeus Ropac, Paris, France 
The Feverish Library (continued)
, Capitain Petzel, Berlin, Germany
The Space Between, curated by Michaelgir Bracewell, Karsten Schubert, London

D’après Giorgio a cura di Luca lo Pinto
, Fondazione Giorgio e Isa De Chirico, Rome, Italy
Deutsche Borse Photography Prize
, Photographer’s Gallery, London
Deutsche Borse Photography Prize 2012
, The Cube (Deutsche Borse Headquarters), Frankfurt/Eschborn; C/O Berlin, Germany
Flores; Abismo; Parataxis
, curated by Carlos- Fernandez-Pello, La Casa Encendida, Madrid, Spain
Out of Focus
, Saatchi Gallery, London
Remix: Selections from the INternational Collage Cernter
, Daum Museum of Contemporary Art, Sedalia, USA
, curated by Timothee Chaillou, Galerie Thaddaeus Ropac, Paris, France

Transmitter / Receiver: The persistance of collage
, Middlesbrough Institute of Modern Art, Middlesbrough, UK
, curated by Duncan Wooldridge, Focal Point Gallery, Southend-on-Sea, UK
 curated by David Rimanelli, Kimmerich, New York
Make Up
, curated by Mariuccia Casadio, Appalazzogallery, Brescia, Italy
The boy who robbed you a few minutes before arriving at the ball
, curated by Regina Fiorito and Kelley Walker, Galerie Gisela Capitain, Cologne, Germany
The Draw Bridge
, Q Forum, London

Photomonth in Krakow, Galeria Pauza, Poland
HEAD, The Approach, London, UK
FACES with: M.Anzeri, H.Bart, V.Carrubba, J.Kraijer, W.Mutu, J.Stezaker, Monica De Cardenas Galleria, Milan, Italy
The Rustle of Language, Galleria Francesca Kaufmann, Milan, Italy
The Page, curated by Matthew Higgs and John Stezaker, Kimmerich, New York
At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, curated by Matthew Higgs, CCS Bard Hessel Museum,
Annandale-on-Hudson, New York
Hyperborean Manners, Rob Tufnell at 1 Sutton Lane, London, UK

Taj Mahal Travellers, Galerie Nordenhake, Stockholm, Sweden
The Quick and The Dead, Walker Art Center, Minneapolis
Source Codes, Sprueth Magers, Berlin
Le Sang d’un Poete, Frac des Pays de La Loire, France
Propaganda, Rodeo Gallery, Istanbul
In The Pines, David Risley Gallery, Copenhagen
William Horner & John Stezaker, The Russian Club Gallery, London

Not So Subtle Subtitle, Curated by Matthew Brannon, Casey Kaplan Gallery, New York
Collage: The Unmonumental Picture, New Museum, New York
Martian Museum of Terrestrial Art, Barbican Art Gallery, London
Cohabitation: 13 Artists and Collage, Francesca Kaufmann, Milan, Italy

Panic Attack, Barbican Art Gallery, London
Strange Events Permit Themselves the Luxury of Occurring: Selected by Artist Steven Claydon, Camden Arts Centre, London

Dereconstruction, Curated by Matthew Higgs, Barbara Gladstone Gallery, New York
Figures of the Player: The Paradox of the Actor, Collection Lambert en Avignon, Avignon, France
A Season in Hell, Danielle Arnaud Gallery, London
World Gone Mad: Surrealist Returns in Recent British Art, Herbert Read Gallery, Canterbury; travelling to Castlefield Gallery, Manchester;
Limehouse Arts Foundation, London (cat.)
The Glass Bead Game, Vilma Gold Project Space, Berlin
Tate Triennial 2006 New British Art, Tate Britain, London (cat.)

Time Lines, Kunstverein für die Rheinlande und Westfalen, Düsseldorf
Cut, The Approach, London
1979, Bloomberg Space, London
Girls on Film, Zwirner & Wirth, New York
Collage, Signs & Surfaces, Pavel Zoubok Gallery, New York
Mourning, Sies & Höke, Düsseldorf
RCA Print Folio, Royal College of Art, London

Collage, Bloomberg Space, London
Je t’envisage, La disparition du portrait, Musee de L’Eysee, Lausanne, France
Cara a Cara, Culturgest, Lisbon, Portugal
About Face, Hayward Gallery, London
Future Face, Science Museum, London
Portraits of Non-Humans, David Risley Gallery, London
Polaroid, 39 Gallery, London

Ex-press, Royal College of Art, London
Please Take One, 39 Gallery, London

Life is Beautiful, Laing Art Gallery, Newcastle, UK (cat.)

The British Art Show 5, City Art Centre, Edinburgh, Scotland; travelling to Collective Gallery; Dean Gallery; Fruitmarket Gallery; Royal Botanical Gardens Edinburgh, Scotland; John Hansard Gallery; Millais Gallery, Southampton Institute; Southampton City Art Gallery, Southampton, England; Centre for Visual Arts; Chapter Arts Centre; Fotogallery; National Museum & Gallery, Cardiff, Wales; Birmingham Museum and Art Gallery; Ikon Gallery, Birmingham, England [cat.]

23rd Ljubljana International Biennial of Graphic Art, British Section, Mednarodni grafični likovni center, Ljubljana, Sloevina
River Deep, Mountain High, Gallery Westland Place, London; travelling to University of Dundee, Duncan and  Jordanston Gallery, Dundee, Scotland

American and European Photo-Art, Larem Kloker Gallery, Vienna, Austria
2nd Shoreditch Photography Biennial, London
Chemical Traces/ Photography and Conceptual Art, 1968-1998, Ferens Art Gallery, Hull City Council, Kingston upon Hull; travelling to Leeds City Art Gallery, Leeds UK (cat.)

Pictura Brittanica: Art from Britain (British Council), Sydney Museum of Contemporary Art, Sydney, Australia; travelling to Art Gallery of South Australia, Adelaide, Australia; Museum of New Zealand, Te Papa Tongarewa, Wellington, New Zealand
Strange Days, Contemporary British Photography, Galleria Gian Ferrari, Milan, Italy (cat.)
Sad, Gasworks, London
The Quick and The Dead, Royal College of Art, London
The Impossible Document: Photography and Conceptual Art in Britain 1966-1976, Cameraworks Gallery, London, travelling to Cambridge Darkroom Gallery, Cambridge, UK (cat.)
Icons, Touring, Tokyo, Kyoto, Japan and Hong Kong, China
Life/Live: Young British Art, Musee d’Art Moderne de la Ville de Paris; travelling to Centro Cultural de Belém,Lisbon, Portugal (cat.)
Various group shows, Bank London, UK (1996, 1997, 1998)

The Body, Touring Exhibition Canada

Elvis + Marilyn 2 x Immortal, The Institute of Contemporary Art, Boston, Massachusetts; The Contemporary Arts Museum, Houston, Texas; The Mint Museum of Art, Charlotte, North Carolina; The Cleveland Museum of Art, Cleveland, Ohio; The Jacksonville Museum of Contemporary Art, Jacksonville, Florida; The Portland Museum of Art, Portland, Oregon; The Philbrook Academy, Tulsa, Oklahoma; The Columbus Museum of Art, Columbus, Ohio; The Tennessee State Museum, Nashville, Tennessee; The San Jose Museum of Art, San Jose, California; The Honolulu Academy of Art, Honolulu, Hawaii; Hokkaido Obihiro Museum of Art, Hokkaido, Japan; Daimaru Museum, Umeda-Osaka, Japan; Takamatsu City Museum, Takamatsu, Japan; Sogo Museum of Art, Yokohama, Japan; Mitsukoshi Museum of Art, Fukuoka, Japan
The Curator’s Egg, Anthony Reynolds Gallery, London

Who’s Looking at the Family, Barbican Art Gallery, London

Flora Photographica, Serpentine Gallery, London

Art Conceptuel, Formes Conceptuelles, Galerie 1900/2000, Paris

John Stezaker, Glenn Dash Gallery, Los Angeles

Altered States, Kent Fine Art, New York (cat.)
Multiple vision: Ron Haselden, Colin McArthur, John Stezaker, Paul Wombel, Cambridge Darkroom Gallery, Cambridge, UK

1984: An Exhibition, Camden Arts Centre, London (cat.)

Geometry of Desire, Galerie Venster, Rotterdam, The Netherlands

Simulacra, Riverside Studios, London
Aperto, XL, Biennale di Venezia, Venice, Italy (cat.)
Close to the Edge, White Columns, New York

Hayward Annual, Hayward Gallery, London

Hayward Annual, Hayward Gallery, London
Un certain art anglais…, ARC, Musee d’Art Moderne de la Ville de Paris, Paris
JP2, Palais des Beaux-Arts, Brussels, Belgium

Art for Society, Whitechapel Art Gallery, London

British Art, Palais des Beaux Arts, Brussels, Belgium

Art Inglese Oggi, Palazzo Reale, Milan, Italy
Times, Words and the Camera, Akademische Druck-U, Graz, Austria

9th Biennale de Paris, Paris

Project 74, Kunsthalle Köln, Cologne, Germany
Critic’s Choice, Tooth’s Gallery, London
Beyond Painting and Sculpture…: works bought for the Arts Council by Richard Cork, Arts Council touring Exhibition (cat.) toured Leeds City Art Gallery, Leeds; travelled to Walker Art Gallery, Liverpool, and Arnolfini Gallery, Bristol, UK

A Survey of the Avant-Garde in Britain, House Gallery, London
The New Art, Hayward Gallery, London (cat.)

The Wall Show, Lisson Gallery, London

3 Schools Exhibition, Royal Academy of Arts, London

Three Person Show, Central Collegiate Building, University College, London


Cumming, Laura, “’John Stezaker: Film Works’ review – an overwhelming onrush of images”, The Guardian,  April 26
Forrest, Nicholas, John Stezaker “’The Projectionistat The Approach, London”, Blouin Artinfo, March 19
“British artist John Stezaker Exhibits New Work at The Approach London”,, March 16
Kirilova, Lyubomira, “John Stezaker: The Projectionist at The Approach”, The Upcoming, March 14

Rubio, Lorraine, “artnet Asks: Conceptual Artist John Stezaker,”, October 31
Chimes, Meryn, “John Stezaker’s Shadowed Land”,, October 16
“The Lookout: John Stezaker”, Art in America, October 16
Indrisek, Scott, “John Stezaker Loses Control at Petzel,” Blouin Artinfo, October 14
“Visionaire Recommends: John Stezaker”,, October 10
Halle, Howard, “Petzel Gallery: John Stezaker”, Time Out New York, October 9-15, 35
Banks, Grace, “John Stezaker premiers new film”,, October 3,
“Agenda: 9 de Octubre, Nueva York”, Architectural Digest Spain, October
Zhong, Fan, “Cultural Calendar – 9th: Cinema Verite”, W Magazine, October, p. 142.
“Top 100 Fall Shows”, Modern Painters, September, pp. 75-76.
Fairley, Gina, “Intimate collages command cavernous industrial space”, Visual ArtsHub, July 29,
O’Hagan, Sean, “John Stezaker: cutting a photograph can feel like cutting through flesh,” The Guardian, March 27
Pietsch, Hans, “Bilderfinder”, Art, February, pp. 5, 48-56.

Roeg, Nicholas; Stezaker, John, ”Who Would Believe It?”, Frieze, October, p235-243
John Stezaker: One on One, London: Ridinghouse, published on the occasion of John Stezaker: One on One at Tel Aviv Museum of Art, Israel
“Portfolio: Mothers”, Monopol, November, pp. 14, 83, 92.
“John Stezaker – Working from the Collection”, Manystuff, July 3
“More than 40 new collages and three films by John Stezaker on view at Capitain Petzel”,, July 3, 2012.
Jim Powell, “The month in photography – audio slideshow”, The Guardian, June 27, Harpers, June/July 2013, p. 27.
Rick Poynor, “John Stezaker: Images from a Lost World”, The Living Principles, March 6
Cate McQuaid, “What’s up at Boston-area art galleries”, The Boston Globe, February 19

Phillips, Sarah (interviewer), “John Stezaker’s best photograph”,, August 8, (ill.)
Khan, Tabish, “Art Review: The Deutsche Börse Prize@The Photographers’ Gallery”,, July 20 (ill.)
O’Hagan, Sean, “The Deutsche Börse photography prize – review”,, July 14, (ill.)
Searle, Adrian, “The Deutsche Börse photography prize”,, July 10, 2012 (ill.)
Davies, Lucy, “The witty collages of John Stezaker”,, June 21, 2012 (ill.)
“John Stezaker’s uncanny couplings,, April 19, 2012, (ill.)
Russell, Stefene, “Out and About: The Eyes Have Hills”, StlMag, March 2012, pp. 208-209, (ill.).
Wilson, Calvin, “Artist Gives Old Photographs New Life”, St. Louis Post Dispatch, February 19,  pp. D1, D8, (ill.).
Wilson, Calvin, “Stezaker pairs images in collages for unsettling results”,, February 18, (ill.).
Taylor, Allison, “John Stezaker: Educator’s Guide”, Mildred Lane Kemper Art Museum, January, pp. 2-6, (ill.).
Reddin, Matthew, “On Stage 1/17: Milwaukee pays homage to classic and sequels”, Thirdcoast
Digest, January 17, online, (ill.).
Schumacher, Mary Louise, “Gallery Night Picks and Mainstays”, Journal Sentinel, January 18, online.
Editor, “John Stezaker: Retrospective, West End World, January 14, online.

Newhall, Edith, “Galleries: John Stezaker landscape and nude collages displayed at the University of the Arts”, The Philadelphia Inquirer, November 13, online.
Stuhmer, Marcelino, “John Stezaker: The Nude and Landscape”, Title Magazine, November 10, online, (ill.).
Devereux, Tamsin, “John Stezaker: A Conversation with the Artist- Picture This, Laurent
Delaye Gallery,” London, October 16, video, (ill.).
Walker, John A., “Shaped Canvas (1992)”, artdesigncafe, June 17, online.
Colbert, Joerg, “Review: John Stezaker (Ridinghouse/Whitechapel)”,, Feb 25, (ill.).
Dillon, Brian, “What a carve up”, The Guardian, Review: Arts, Saturday January 29, pp. 16-17.
Sherwin, Skye, “John Stezaker: London”, theguardian guide, exhibitions, Saturday 29
January – Friday 4 February, p. 39.
“Ways of Seeing”, Camden New Journal, No 1491, Review: The Big Picture, January 27, p. 16
Laster, Paul, “John Stezaker: Friedrich Petzel Gallery”, Time Out New York, January 27 – February 2, p. 37.
Herbert, Martin, “John Stezaker: Whitechapel Gallery”, Artforum, Previews, January, p. 101.
Eichler, Dominic, “John Stezaker: Capitain Petzel,” Frieze, Issue 136, January-February, p. 126.

Tuck, Mike, The Man Who Would Be King, Artslant,, March
Herbert, Martin, Third Life: Martin Herbert on the art of John Stezaker, Artforum, April, p 160- 167.
Coomer, Martin, In the studio: John Stezaker, Time Out, February 18-24
Sherwin, Skye, Artist of the week 72: John Stezaker,, Thursday 28

Roulo, Robyn Farrell, John Stezaker,
Wilson, Michael, Reviews: John Stezaker, Artforum, May p.235
Johnson, Ken, John Stezaker, The Bridge, Weekend Arts, The New York Times, March 20
Galleries-Chelsea ‘John Stezaker,’ The New Yorker, March 23

The Power 100, Art Review, October. Front cover and interview p.94-5, images throughout p.107, p.123,143, p.148
“Collage; Assembling Contemporary Art”, Black Dog Publishing, front cover and A Conversation with John Stezaker by David Illington p.20-1.
Images p.7, p.42, p.43, p. 81, p.91, p.92
Casadio, Mariuccia, Cool Europe, Italian Vogue issue 690, February
Luke, Ben (Interviewer) New Work; John Stezaker, Art World, p.62-7. Issue 2, image on front cover

Green, David, John Stezaker, Source Magazine, Issue 50, p.8-19
Campany, David, Recent Work: John Stezaker, Photoworks, May/October, p.12-19
Marsh, Andrew, Reviews: John Stezaker, Flash Art, Vol.XL, No.252, February, p.119

Núñez-Fernández, Lupe, Out of the Shadows, Art Review, Vol. 62, March, p. 76-79
Kersting, Rita, Best of 2006, Artforum, December
O’Reilly, Sally, Johanna Malt and JJ Charlesworth. World Gone Mad: Surrealist Returns in Recent British Art, London: Castlefield Gallery Publicatons, exhibition catalogue

Bracewell, Michael (Interviewer). Demand the Impossible, Frieze, No. 89, p. 88-93
Falconer, Morgan. Contemporary Art, Burlington Magazine, Vol. 147, No. 1223, Feb, p. 130-132
Slyce, John, John Stezaker, Art Monthly, No. 282, Dec. 2004-Jan. 2005, p. 35-36
John Stezaker, The Approach, London, Art In America
Stillness and Time: Photography and the Moving Image, Photoworks, London
Collage Signs & Surfaces, New York, Pavel Zoubok Gallery, exhibition catalogue

Taylor, Brandon, Collage: The Making of Modern Art, London: Thames and Hudson
Slyce, John, John Stezaker, The Approach, London, Art Monthly, Dec-Jan, No.282
Herbert, Martin, John Stezaker, The Approach, Time Out, No.1789
Pethick, Emily, John Stezaker, The Approach, Critics picks,

Campany, David, Art and Photography, London and New York, Phaidon Press

Bayrle, Thomas, Vitamin P: New Perspectives in Painting, London and New York: Phaidon Press

Barro, David, Live in Your Head, Lapiz, Vol. 20, No.171, p. 76
Walker, John A. A Vexed Trans-Atlantic Relationship: Greenberg and the British, Art Criticism, Vol. 16, No. 1, p. 44-61

Patrizio, Andrew, The Tree Series, Two Nine Two : Essays in Visual Culture, Edinburgh: Faculty of Art & Design, Edinburgh College of Art
Higgs, Matthew et al. The British Art Show 5, London: Hayward Gallery Publishing; Distributor, North and South America and Canada: University of California Press; Distributor, Elsewhere: Cornerhouse Publications
Hunt, Ian, British Art Show 5, Art Monthly, No. 236, May p. 30-33

Mellor, David Alan, Fearful Symmetry: John Stezaker, Portfolio Magazine, No. 29, p. 34-39, 58-59

Mellor, Alan. Chemical Traces: Photography and Conceptual Art, 1968-1998, Kingston upon Hull: Ferens Art Gallery; Kingston upon Hull City
Museums & Art Galerie
Roberts, John, The Art of Interruption – Realism, Photography and the Everyday, Manchester and New York: Manchester University Press
Stahel, Urs. Aspects of Contemporary Swiss Art Photography, History of Photography, Vol. 22, No. 3, Autumn p. 254-260

Angels, Coil, No. 5, p. 1-2.
Hatton, Brian. Paraphotography, Art Monthly, No. 207, p. 1-5
Bickers, Patricia, Stephen Snoddy and Bernice Murphy, Pictura Britannica: Art from Britain, Sydney; Museum of Contemporary Art Sydney
Roberts, John (Ed.). The Impossible Document: Photography and Conceptual Art in Britain, 1966 – 1976, London: Camerawork
Williams, Gilda, Strange Days: British Contemporary Photography, Milan: Charta
Obrist, Hans Ulrich (Ed.), Life/Live: Young British Art, Paris: Musee d’Art Moderne de la Ville de Paris

Büchler, Pavel and Nikos Papastergiadis (Eds.) Random Access: on crisis and its metaphors, London: Rivers Oram Press; Concord, MA: Paul And Company
Pretext: Heteronyms, ed. Juliet Steyne, Rear Window Arts Trust, London

Who’s Looking at the Family, ed. Val Williams, Barbican, London
De Paoli, Geri & WendyMcDaris, Elvis & Marilyn: 2 x Immortal, New York: Rizzoli
Walker, John Albert, Art in the Age of Mass Media, Boulder: Westview Press
Ewing, William, The Body: Photographs of the Human Form, San Francisco: Chronicle Books

Hall, Charles, Now Voyager, Art Review, Vol. 45, September, p. 48-49

Dannatt, Adrian, John Stezaker, Flash Art, Vol. 24, No. 160, October, p. 114-117
Taylor, Brandon, Photo/Montage, AICARC: Bulletin of the Archives & Documentation Centers for Modern & Contemporary Art, No. 29-30, p. 47-55

Thomas, Michael J. The Game-as-Art Form: Historic Roots and Recent Trends, Leonardo, Vol. 21, No. 4, p. 421-423

Brooks, R. An Art of Controlled Madness, Art And Text, No.17, p. 22-27

Brisley, S. and John Stezaker, Polemics, Art Monthly, No. 62, p. 29-31
de Benito, Eduardo, Londres: Entre Aquí y La Nada, Lapiz, Vol. 1, No. 2, p. 50-53
Hatton, Brian, Simulacra at the Riverside, Artscribe, No. 39, p. 30-34.
Newman, Michael, Simulacra, Flash Art, No. 110, p. 38-40

Blakeston, O. Exhibitions Reviews, Arts Review, Vol. 29, No. 12, p. 398-399

John Stezaker, Flash Art, No. 66-67, p. 23
Brooks, R. Please, No Slogans, Studio International, Vol. 191, No. 980, p. 155-161
Morris, L. English Art Today, Data, No. 20, March-April, p. 45-46, 53-59
Taylor, Brandon, The Avant-Garde and St. Martin’s, Artscribe, No. 4, Sept-Oct, p. 4-7

Politi, G. and J. -L Allexant. Paris Biennial, Flash Art, No. 58-59, Nov, p.14
Smith, P. Conversation with John Stezaker, Studio International, Vol. 189, No. 974, March-April, p. 130-132