Born 1967, Ainwick, Northumberland, England
Lives and works in Berlin, Germany

 

EDUCATION
1989
Central St. Martins, London

1986
Wimbledon School of Art, London

 

SOLO EXHIBITIONS
2015
Lapses In Thinking By The Person I Am, CCA Wattis Institute, San Francisco
Lapses In Thinking By The Person I Am, Institute of Contemporary Art, Philadelphia (forthcoming)

2014
Knickers, Berlin, Temnikova & Kasela Gallery, Tallinn, Estonia
These Are Just Things I Say, They Are Not My Opinions, Arnolfini, Bristol, England

2013
Mrs. Prude to Dr. Hole and Mrs. SXXXX to Dr. Serious, Galerie der Stadt Schwaz, Austria
Photographs You Take, The Schtip, Sheffield, England

2012
Night Out, Simon Lee Gallery, London
Miss Austen Enjoys Photography, Kunstverein Düsseldorf, Germany
Miss Austen Enjoys Photography, Kunsthalle Bern, Switzerland

2011
Embryos and Estate Agents: L’Art de Vivre, Chisenhale Gallery, London

2010
Therapie Thank You Thank You, MD72, Berlin
Therapie Thank You, Reena Spaulings Fine Art, New York

2009
La Vie D’Artiste, Richard Telles Fine Art, Los Angeles

2008
How They Met, Part 1 – Mother and her House, with Sarah Staton, Galerie Bleich-Rossi, Vienna
How They Met, Part 2 – Sex, with Sarah Staton, Galerie Gabriele Senn, Vienna

2007
Hollow Inside, Galerie Neu, Berlin

2006
Maids and Magnetism, Reena Spaulings Fine Art/371 Grand St., New York

2004
Valerie, Secession, Vienna (cat)
Brute, Reena Spaulings Fine Art, New York
Brains and Chains, Cubitt, London
Things Without Futurism, Galerie Christian Nagel, Cologne
Galerie Xavier Hufkens, Brussels

2002
Galerie Meerrettich, Berlin
Costume, Galerie Michael Neff, Frankfurt
Metalltanz, with Michael Krebber, Galerie Bleich-Rossi, Graz
Felicity/The Pre-Empted, Galerie Neu at Cabinet, London, with     Katharina Wulff

2001
The Hands, The New Art Centre, Salisbury
6 a.m Summer 201, Galerie Neu, Berlin
Serena, Kunstverein Braunschweig (cat)
Gabriele Senn Galerie, Vienna

2000
Honour, without money, is just a disease, Succession, London
Marooned, Galerie Christian Nagel, Cologne

1997
Vicinage, Galerie Christian Nagel, Cologne

1996
Neu, Berlin

1995
Persuasion, Neu, Berlin

 

SELECTED GROUP EXHIBITIONS
2015
Container and Contained, Künstlerhaus Stuttgart, Stuttgart, Germany
The Day Will Come When Photography Revises, Kunstverein, Hamburg, Germany
Land’s End, Bodega, New York
Animal Photographers, Acude Macht Neu, Berlin

2014
Curated by_vienna 2014, The Century of the Bed, Galerie Emanuel Layr, Vienna
Ordinary Freaks. Dan Prinzip Coolness in Popkultur, Theater und Museum, KM Kunsthaus, Graz, Austria
The Marmory Show, Galerie Deborah Schamoni, Munich
One Shots and Imagines, Downtown Photoroom, Los Angeles

2013
Better Homes, Sculpture Center, New York, curated by Ruba Katrib
Kappen, Hard Hat, Geneva
Photography Now and Forever, Mathew, Berlin
New Photography 2013, Museum of Modern Art, New York, organized by Roxana Marcoci and Katerina Stathopoulou
Door Between Either And Or Part 1, curated by Judith Hopf and Marlie Mul, Kunstverein, Munich
XOXO, Night Gallery, Los Angeles
Xerography, Firstsite, Colchester, UK

2012
Counter-Production, Generali Foundation, Vienna, Austria

2011
Pictures Extra and Other, Galerie Helena Papadoupolos, Athens
The Avantgarde: Madame Realism, Marres Centre for Contemporary Culture, Maastricht
Making and Art, curated by Cosima Rainer with Anna Artaker and Christoph Meier,Stadtgalerie Schwaz, Tirol, Germany
Andreas Lærum’s Private Collection of Art, Bunker Almely, Asker, Norway
Films & Filming, organised by David Lieske, Bischoff Projects, Frankfurt, Germany
The Avantgarde: Madame Realism, Marres Centre for Contemporary Culture, Maastricht, Holland

2010
At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg,
CCS Bard Hessel Museum, Annandale-on-Hudson, New York, Saturday,
June 26, 2010 – Sunday, December 9, 2010
Filmschönheit, Galerie Gisela Capitain, Köln
Picture Industry (Good Bye To All That), curated by Walead Beshty, Regen Projects, Los Angeles
Old Ideas (kuratiert von Silberkuppe), Museum für Gegenwartskunst, Basel

2009
Collecting History, Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles
Relax, MD72, Berlin
Instant Melancholia, Raum 121, Frankfurt
To Be Determined, Andrew Kreps Gallery, New York
Olga Chernysheva & R.H. Quaytman & Josephine Pryde, Contemporary Art Museum, St Louis
Bulletin Board, Pro Choice, Vienna
PALINDROM. Oben und unten mit Rex Whistler & Friends, Hermes und der Pfau and W.O. Scheibe Museum, Stuttgart

2008
Archeology of Mind, Kunsti Museum of Modern Art, Vaasa
Archeology of Mind, Malmo knostmuseum, Malmo
Buy No Wino Buy Lino By Bono, Hats Plus, London
Medien, Galerie CUC Charim Unger Contemporary, Berlin
L’Argent, FRAC Ile de France Le Plateau, Paris
Photography on Photography. Reflections on the Medium since 1960, Metropolitan Museum, New York
The J.G. Ballard Centre for Psychopathological Research presents: ‘Zodiac 3000’, International Project Space, Birmingham
The Coma Lounge Edinburgh, The Collective Gallery, Edinburgh, Scotland

2007
Angelegenheiten, die sich daraus ergeben, Künstlerhaus Bremen
Imagine Action, Lisson Gallery, London
The Enforced Dress, Nordoesterreichisches Kunstraum, Wien, curated by Susanne Neuburger
Nadar Ahrimin, Matthew Ahnriman, Jonas Mekas, Jonathan Monk, Josephine Pryde, David    Wojnarowicz, Unosunove, Rome
Dorothea 2005-2006, Hochschule für Bildende Künste Braunschweig
Make Your Own Life: Artists In & Out of Cologne, Museum of Contemporary Art, Miami
Various Small Fires, Royal College of Art Galleries, London
Josef Strau and Galerie Meerrettich, Vilma Gold, London
Make Your Own Life: Artists In & Out of Cologne, Henry Art Gallery, Seattle

2006
Make Your Own Life: Artists In & Out of Cologne, Institute of Contemporary Art, University of Pennsylvania, curator Bennett Simpson / The Power Plant, Toronto
The Dimes of March, Reena Spaulings Fine Art
beton wurst und andere teamgeister, after the butcher, Berlin
Optik Schroeder, Private collection of Alexander Schroeder, exhibited at the Kunstverein Braunschweig
Supportico Lopez 32, Neapel, curated by Gigiotto del Vecchio
The Top Room: A Retrospective, CHELSEA space, London
Artists’ Books, revisited, curator Matthias Herrmann, Art Metropole, Toronto and Printed Matter, New York
Art Metropole, Toronto and Printed Matter, New York (K)
Nolens Volens, Galerie Neu, Berlin
Temporary Import, curator Susanne Titz, Art Forum Berlin
Été Urbain, Galerie Gabriele Senn, Vienna
Critical Celebration, curator David Bussel, Galerie Karin Guenther Nina Borgmann, Hamburg

2004
Summer Photo Group Exhibition, Galerie Meerrettich, Berlin
Galerie Rauhfaser, Hamburg

2003
favorites +, Galerie Fortlaan, Ghent
Was Sie immer ueber Sex in Oesterreich wissen wollten, Galerie Academia, Salzburg

2002
Museutopia, Karl-Ernst Osthaus Museum, Hagen

2001
What’s Wrong, The Trade Apartment, London
Works on Aluminium Selected by Paper, White Cube, Bergen
Charisma, Glasgow Art Fair
Jewels-in-Art, Galerie Bleich-Rossi, Graz (catalogue)

2000
Walk 2000 at Succession, London
Coal By Any Other Name, American Fine Arts Co. Ltd, New York
Telescopic Memories, Orbit House, London
Cheated, A22 Projects, 22 Laystall Street, London
21st Gear, The Top Room, London
Hey, International Competition Style! TENT, Rotterdam

1999
space, Witte de With, Rotterdam (catalogue: From #1)

1998
Summary, Galerie Hoffmann und Senn, Wien
A to Z, the approach, London
Fast Forward Image, Kunstverein in Hamburg

1997
Glockengeschrei nach Deutz, Daniel Buchholz, Köln (catalogue)
La Season II, Neu, Berlin

1995
Photoworks, The Economist Building, London

1992
Trial Balloon, New York

1992
Radio Show, Unrealized Projects, Four Walls at Artists Space, New York

1991
Trial Balloon, New York with Nicola Tyson, Sarah Staton & Siobhan Liddell
The Archaeology of Silence, London (catalogue)

1989
Performance as part of Audio Arts Placement and Recognition, MOMA, Oxford

 

VIDEO SCREENINGS
1999
The Bear, the Duck & the Oyster

 

CATALOGUES
2015
Contemporary Art Germany, Austria and Switzerland, Black Dog Publishing, London.

2008
Zodiac 3000, Dr. Robert Laing and Karen Novotny

2007
Various Small Fires, Royal College of Art, London
The Enforced Dress, Kunstraum Niederoesterreich

2006
Make Your Own Life, ICA Philadelphia

2005
Artists’ Books Revisited, publisher Art Metropole / Secession
The Top Room, publisher Jeremy Glogan

2004
Valerie, Secession, Vienna (solo)

2001
Serena, Kunstverein Braunschweig (solo)
Jewels-in-Art, publisher Galerie Bleich-Rossi

1999
From #1, publisher Witte de With Center for Contemporary Art, Rotterdam

1997
Glockengeschrei nach Deutz, publisher Cosima von Bonin, Daniel Buchholz, Christopher Mueller

1991
The Archaeology of Silence, publisher Monika Oechsler

1990
Tracking Zones, publisher moo.shwär’ roo ltd (solo)

 

OTHER PUBLICATIONS
2015
Josephine Pryde: The Enjoyment of Photography, JRP Ringier (comprehensive monograph)

2008
Madonna und Wir, Kerstin und Sandra Grether, Caroline Nathusius, Suhrkamp

2005
It recites, Wenn sonst nichts klappt: Wiederholung wiederholen, materialverlag und b_books / polypen, pp 52 – 59

2001
Blue Period, Sarah Staton Anti-paintings, Art Lab, London

2000
In circulation, Sarah Morris, in Twisted, van Abbe Museum, Eindhoven
What Do You Want To Do With Your Spade?, Cosima von Bonin, The Cousins, Kunstverein Braunschweig

1999
Fabienne Audéoud, Of a musical disposition, Work and Leisure International, Manchester

1998
Katharina Wulff, Kunstverein Bremerhaven

 

BIBLIOGRAPHY
2015
“Josephine Pryde at Arnolfini”, Contemporary Art Daily, February 12
Griffin, Jonathan, ’Josephine Pryde: Lapses in Thinking by the Person I am’, ArtReview (Summer)
Feiss, E.C., ‘Container and Contained’, Frieze d/e, (June/August)
Lutz, L., ‘A Freight Train to Depersonalize Objects’, SFAQ, (11 June)
French, A.,  ‘Josephine Pryde: These Are Just Things I Say, They Are Not My Opinions’, Photomonitor
(27 January)

2014
Clark, Robert,  ‘Josephine Pryde. Bristol’, Guardian Guide (15 November)

2013
Johnson, Ken, “Images Propelled Beyond Pictures”, The New York Times, September 12
Corbett, ‘MoMA’S “New Photography” Survey Shows the Medium Morphing Into a New Dimension’, Artspace (13 September)
Sutton, ‘Oldest Guinea Pig Portrait Found in the UK ?’, Blouin Artinfo (August)
‘MoMA’s New Photography 2013 Highlights Eight Contemporary Artists Whose Works Expand the Definition of Photography in the 21st Century, ArtFix daily (July)

2012
Holert, Tom, “Test Subjects”, Artforum, April, p166-176
‘Josephine Pryde “Miss Austen Still Enjoys Photography”’ at Kunsthalle Bern’, Mousse Magazine (13 July)
‘Four Artists of Import: Moving Up’, Leap: The International Art Magazine of Contemporary China (4 February)

2011
Noble, Kathy, “Josephine Pryde at Chisendale Gallery, July-August, Art Monthly,
Hafner, Hans-Jürgen, Autobiographical Twilight, Spike, No. 28, Summer 2011, 72-81
Matalon, Rebecca, “Josephine Pryde”, Kaleidoscope, Nr. 11, Summer 2011, p. 86
Prince, Marc, “Josephine Pryde”, Flash Art, March/April 2011, p. 127

2010
Stillman, Nick, Josephine Pryde, Artforum, September 2010, XLIX No.1, p331-332
Fox, Dan, Josephine Pryde, Reena Spaulings Fine Art, New York, Frieze, June, July, August 2010, p. 189.
Anastas, Rhea, Material Holes: On Josephine Pryde at Richard Telles Fine Art, Los AngelesTexte Zur Kunst, March, p. 163-166
Kitnick, Alex, “In Fashion On Josephine Pryde”, May, N.4, 06/2010, p.156 – 161
Latimer, Quinn, Critic’s Picks: “Old Ideas”, artforum.com, February 5th, 2010

2009
Lehrer-Graiwer, Sarah, Critics Picks: Josephine Pryde, artforum.com, November 11, 2009
Pryde, Josephine, The Artists Artists: Best of 2009, Artforum, December 2009, p. 94

2008
Buchmaier, Barbara, Critics Picks: “Medien”, artforum.com, September 26, 2008
Rosenburg, Karen, Art Review: Layers to Comment on Layers of Imagery, New York Times, August 25, 2008.
Freudenberger, Annette, Von Zweien, die auszogen, Texte zur Kunst, Nr. 69, March 2008, p. 219 – 221

2007
Graw, Isabelle, Josephine Pryde, Artforum, October 2007, p. 384-385
Stange, Raimar, Josephine Pryde, Modern Painters, September 2007, p. 100
Gordon, Margery, Miami: Communal Creations at MOCA & Galerie Perrotin, Artinfo.com, June 8, 2007
Pryde, Josephine, Agostoni, Giorgio and Matt Williams, I mix them with my brains: A chatroom conversation with Josephine Pryde and Carmen Gheorghe, Various Small Fires, ed. by Royal College of Art, London 2007 (cat)

2006
Johnson, Ken, Josephine Pryde: Maids & Magnetism, New York Times, May 10, 2006
Stillman, Nick, Critics Picks: “The Dimes of March”, artforum.com, March 22, 2006

2005
Widmann, Tania, Die Strenge Valerie, die fröhliche Valerie, Texte zur Kunst Nr. 57, pp page 189-191
Gronzka, Patricia, Besprechung Josephine Pryde, Kunstbulletin, 1/2
Khosla, Kiron, Joe’s Session, www.kunstaspekte.de, January 15, 2005
Pryde, Josephine, It’s Beyond My Control, Merlin Carpenter at Kunsthall Bergen, Texte zur Kunst,Nr. 58, pp 175-180
Pryde, Josephine, It recites, Wenn sonst nichts klappt: Wiederholung wiederholen, materialverlag und b_books / polypen, pp 52 – 59

2004
Hafner, Hans-Jürgen, Light and Shading: Bulloch und Pryde, www.artnet.de, December 13, 2004
di Blasi, Johanna: “The Harsh Charm of Motorradkette”, Kölner Stadtanzeiger, no. 118, May 20, 2004, p. 33.
Archer, Michael, Josephine Pryde Cubitt Gallery, Artforum, May 2004
Bussel, David, Artforum picks: Josephine Pryde, www.artforum.com, March 2, 2004

2003
Graw, Isabelle, Identification of a Hen, Texte zur Kunst Nr. 49
Pryde, Josephine, Dream On: The Politics of Daydreaming, Texte zur Kunst Nr.52

2002
Pethick, Emily, Josephine Pryde and Barbara Hepworth, artext, Summer, pp 84-85

2001
Kempkes, Anke, Josephine Pryde: Serena, Camera Austria 75/2001, pp 95-96
Meixner, Christiane, Versuchsanordnungen, Frankfurter Rundschau, October 17, 2001
Krebber, Michael, Josefine, die Sängerin oder das Volk der Mäuse, Texte zur Kunst No. 42
Jasper, Martin, Hemd und Haeschen im Kaleidoscop, Braunschweiger Zeitung, Freitag, 27. April
Goetz, Karla, Surrealistische Altersschwaeche, Braunschweiger Zeitung, Freitag, 27. April
Pryde, Josephine, Video Interview with Anna Gollwitzer for talk tv 05/01, Braunschweig
Gregori, Daniela, Josephine Pryde with Gabriele Senn, Frankfurter Allgemeine, Saturday 3 February
Pryde, Josephine, Steven Meisel, Four Days in LA:The Versace Pictures, Texte zur Kunst No.43
Pryde, Josephine, Editor, DIAL, Summer issue, New School Online University, The New School University, New York, www.dialnsa.edu/magaz9.htm
Pryde, Josephine, Inside this Horizon, Made in USA No. 3
Pryde, Josephine, Blue Period, Sarah Staton Anti-paintings, Art Lab, London

2000
Backhaus, Catrin, Dyed and Encircled, blitzreview no.588
Leeb, Susanna, Selber Hey, Texte zur Kunst No.38, pp150-155
Graw, Isabelle, Lose Enden, Texte zur Kunst No. 38, pp156-160
Frangenberg, Frank, Ausgestoßen, rotbraun, Kölner Stadt Anzeiger, 7 April
10×10 Exhibitions, Texte zur Kunst No. 40
Pryde, Josephine, current/SEE by the Michael Clark Company, Texte zur Kunst No. 39
Merlin Carpenter at Secession, Vienna, Modern Painters Vol.13, No.2
In circulation, Sarah Morris, in Twisted, van Abbe Museum, Eindhoven
Pryde, Josephine,What Do You Want To Do With Your Spade?, Cosima von Bonin, The Cousins, Kunstverein Braunschweig

1999
Sarah Staton ‘blu jeans’, London, Texte zur Kunst No.36
Jane & Louise Wilson at the Serpentine Gallery, London, Texte zur Kunst No. 36
Sarah Morris at Oxford MOMA, Texte zur Kunst No. 35
Grenzmarken – review of Fareed Armaly’s exhibition “From/To”, Texte zur Kunst No. 34
 Key Debates, Everything 3.2
Shortcuts: Baustop.Randtstadt, Texte zur Kunst No. 32
Pryde, Josephine,Fabienne Audéoud, Of a musical disposition, Work and Leisure International, Manchester

1998
Spiegl, Andreas, Summary, Springerin Band IV, Heft 3
Pryde, Josephine, Katharina Wulff, Kunstverein Bremerhaven

1997
Harms, Ingeborg, Immer stark verschnürt und gefestigt
Frankfurter Allgemeine, Feuilleton, 5 April
Römer, Stefan, Josephine Pryde – Vicinage, Kunstforum No. 137
Hess, Barbara, Josephine Pryde at Christian Nagel, Flash Art Summer 1997
Pryde, Josephine, Discovering an Innate Sense, Texte zur Kunst No. 25

1995
Pryde, Josephine, Stand review: Michael Krebber at Christian Nagel, Texte zur Kunst No. 19

1993
Pryde, Josephine, Writing out of my armpit, Texte zur Kunst No. 11

1996
Ackermann, Franz, Josephine Pryde – Persuasion, Texte zur Kunst No. 21

1991
Cottingham, Laura, Art and Thought, NYQ, 15 December

 

TEACHING
2008 – present
Professor of contemporary Photography, University of the Arts, Berlin

2006-08
Guest Professor, Akademie der Bildenden Kuenste, Wien

2005-06
Dorothea-Erxleben Stipendiatin, Hochschule der Bildenden Kuenste, Braunschweig

2003
Guest Professor, Klasse fuer Kunst und Fotografie, Akademie der Bildenden Kuenste, Wien